{"id":111,"date":"2017-11-16T19:04:00","date_gmt":"2017-11-17T03:04:58","guid":{"rendered":"http:\/\/www.marshallart.com\/HOME\/?page_id=111"},"modified":"2020-05-17T17:22:37","modified_gmt":"2020-05-18T00:22:37","slug":"videos","status":"publish","type":"page","link":"https:\/\/www.marshallart.com\/HOME\/reviews\/other\/videos\/","title":{"rendered":"Video & DVD Reviews"},"content":{"rendered":"

Here are DVD’s I use in teaching Visual Storytelling. Some are gems. Some are flawed gems. Some are very flawed gems. But all of them have something to offer for students of visual story.\u00a0Consider the MPAA ratings. Fresh<\/a><\/em> has some brutal violence in it. My Life as a Dog<\/a><\/em> has some childhood sexuality in it. I’ll write detailed reviews when I can, but my short list of gems (from my subjective POV) includes Paper Moon<\/a><\/em>, Bullets Over Broadway<\/a><\/em>, Koyaanisqatsi<\/a><\/em>, The Verdict<\/a><\/em>, The Elephant Man<\/a><\/em>, My Life as a Dog<\/a><\/em> and Fresh<\/a><\/em>.<\/p>\n

Let me know your thoughts and responses \u2014 this is a work in progress.<\/p>\n

Click on a video to purchase it from Amazon. Please note that some videos may no longer be available.<\/p>\n

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\n

<\/a>\"\"<\/p>\n

American Movie<\/a>
\n(1999)<\/div>\n<\/div>\n
\n

<\/a>\"\"<\/p>\n

Animal Crackers<\/a>
\n(1930)<\/div>\n<\/div>\n
\n

<\/a>\"\"<\/p>\n

Babe: Pig in the City<\/a>
\n(1998)<\/div>\n<\/div>\n
\n

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Back to the Future<\/a>
\n(1985)<\/div>\n<\/div>\n

<\/p>\n

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The Bank Dick<\/a>
\n(1940)<\/div>\n<\/div>\n
\n

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The Bicycle Thief<\/a>
\n(1949)<\/div>\n<\/div>\n
\n

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The Big Lebowski<\/a>
\n(1998)<\/div>\n<\/div>\n

<\/a><\/p>\n

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Bullets Over Broadway<\/a>
\n(1995)<\/div>\n<\/div>\n

<\/p>\n

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The Cocoanuts<\/a>
\n(1929)<\/div>\n<\/div>\n
\n

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Dogtown & Z-Boys<\/a>
\n(2001)<\/div>\n<\/div>\n
\n

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Edward Scissorhands<\/a>
\n(1990)<\/div>\n<\/div>\n

<\/a><\/p>\n

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The Elephant Man<\/a>
\n(1980)<\/div>\n<\/div>\n

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Eraserhead<\/a>
\n(1977)<\/div>\n<\/div>\n
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Fast, Cheap & Out of Control<\/a>
\n(1997)<\/div>\n<\/div>\n
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The Field<\/a>
\n(1991)<\/div>\n<\/div>\n

<\/a><\/p>\n

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Fresh<\/a>
\n(1994)<\/div>\n<\/div>\n

<\/p>\n

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Groundhog Day<\/a>
\n(1993)<\/div>\n<\/div>\n
\n

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A History Of Violence<\/a>
\n(2005)<\/div>\n<\/div>\n
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It’s A Gift<\/a>
\n(1934)<\/div>\n<\/div>\n
\n

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Jesse James<\/a>
\n(1939)<\/div>\n<\/div>\n

<\/p>\n

\n

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The Killing<\/a>
\n(1956)<\/div>\n<\/div>\n

<\/a><\/p>\n

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Koyaanisqatsi: Life Out of Balance<\/a>
\n(1983)<\/div>\n<\/div>\n
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The Life and Death of Peter Sellers<\/a>
\n(2004)<\/div>\n<\/div>\n
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Midnight Run<\/a>
\n(1988)<\/div>\n<\/div>\n

<\/p>\n

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My Dinner With Andre<\/a>
\n(1981)<\/div>\n<\/div>\n

<\/a><\/p>\n

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My Life As A Dog<\/a>
\n(1987)<\/div>\n<\/div>\n
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<\/a>\"\"<\/p>\n

Of Mice & Men<\/a>
\n(1992)<\/div>\n<\/div>\n

<\/a><\/p>\n

\n

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Paper Moon<\/a>
\n(1973)<\/div>\n<\/div>\n

<\/p>\n

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The Purple Rose of Cairo<\/a>
\n(1985)<\/div>\n<\/div>\n
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Rear Window<\/a>
\n(1954)<\/div>\n<\/div>\n
\n

<\/a>\"\"<\/p>\n

Shadows and Fog<\/a>
\n(1992)<\/div>\n<\/div>\n
\n

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The Simpsons<\/a>
\n(1989)<\/div>\n<\/div>\n

<\/p>\n

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<\/a>\"\"<\/p>\n

The Storyteller<\/a>
\n(1997)<\/div>\n<\/div>\n
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<\/a>\"\"<\/p>\n

Sullivan\u2019s Travels<\/a>
\n(1941)<\/div>\n<\/div>\n
\n

<\/a>\"\"<\/p>\n

The Thin Blue Line<\/a>
\n(1988)<\/div>\n<\/div>\n
\n

<\/a>\"\"<\/p>\n

Toy Story<\/a>
\n(1995)<\/div>\n<\/div>\n

<\/p>\n

\n

<\/a>\"\"<\/p>\n

The Twilight Zone<\/a>
\non Blue-ray
\n(1959)<\/div>\n<\/div>\n
\n

<\/a>\"\"<\/p>\n

Unforgiven<\/a>
\n(1992)<\/div>\n<\/div>\n

<\/a><\/p>\n

\n

<\/a>\"\"<\/p>\n

The Verdict<\/a>
\n(1982)<\/div>\n<\/div>\n
\n

<\/a>\"\"<\/p>\n

Vincent: The Life and Death of Vincent Van Gogh<\/a>
\n(1988)<\/div>\n<\/div>\n<\/div>\n

Marshall is a participant in the Amazon Associates program and may earn a small commission on products purchased using these links. The product price is the same whether or not you use these links, but by using them, it helps offset the cost of running this website.<\/p>\n","protected":false},"excerpt":{"rendered":"

Here are DVD’s I use in teaching Visual Storytelling. Some are gems. Some are flawed gems. Some are very flawed gems. But all of them have something to offer for … <\/p>\n

Read more…<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"parent":7764,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"generate_page_header":"","footnotes":""},"class_list":["post-111","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/pages\/111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/comments?post=111"}],"version-history":[{"count":0,"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/pages\/111\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/pages\/7764"}],"wp:attachment":[{"href":"https:\/\/www.marshallart.com\/HOME\/wp-json\/wp\/v2\/media?parent=111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}